"Madam Bovary"

[fiefoe]

I was ready to enjoy this as a pastoral novel in the first quarter of the novel, but Gustave Flaubert spared no unpleasantness later on.  It bothers me that I can't sympathize with Emma that much because of her financial irresponsibility. Apparently that's an unforgivable moral sin to me.

There are three scenes that made the whole book worthwhile for me, as I really appreciate how Flaubert skewers banality along with the self-deluded romantics:
the one at the agricultural fair where Rodolphe verbally seduces Emma against the backdrop of a trite patriotic speech;
the one in which Charles attempts surgery on a club-footed stable-hand at windbag Homais's urging with disastrous results;
the one in which Emma and Leon kept being dodged by an enthusiastic church beadle during their tryst at a cathedral.

作天作地，戏太多的女人，又没有遇到好鸟，当然杯具。

• It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile’s face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.
• He grew thin, his figure became taller, his face took a saddened look that made it nearly interesting.
• to push about on marble tables the small sheep bones with black dots, seemed to him a fine proof of his freedom, which raised him in his own esteem. It was beginning to see life, the sweetness of stolen pleasures;
• He was a fat little man of fifty, with white skin and blue eyes, the forepart of his head bald, and he wore earrings.
• Charles was surprised at the whiteness of her nails. They were shiny, delicate at the tips, more polished than the ivory of Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not white enough, and a little hard at the knuckles; besides, it was too long, with no soft inflections in the outlines.
• Was it for this, however, that his visits to the farm formed a delightful exception to the meagre occupations of his life? On these days he rose early, set off at a gallop, urging on his horse, then got down to wipe his boots in the grass and put on black gloves before entering. He liked going into the courtyard, and noticing the gate turn against his shoulder, the cock crow on the wall, the lads run to meet him. He liked the granary and the stables; he liked old Rouault, who pressed his hand and called him his saviour; he liked the small wooden shoes of Mademoiselle Emma on the scoured flags of the kitchen—her high heels made her a little taller; and when she walked in front of him, the wooden soles springing up quickly struck with a sharp sound against the leather of her boots.
• The sunshade of silk of the colour of pigeons’ breasts, through which the sun shone, lighted up with shifting hues the white skin of her face. She smiled under the tender warmth, and drops of water could be heard falling one by one on the stretched silk.
• she learnt the Mademoiselle Rouault, brought up at the Ursuline Convent, had received what is called “a good education”; and so knew dancing, geography, drawing, how to embroider and play the piano. That was the last straw.
• Going home at night, Charles went over her words one by one, trying to recall them, to fill out their sense, that he might piece out the life she had lived before he knew her. But he never saw her in his thoughts other than he had seen her the first time, or as he had just left her.
• Some, too (but these, you may be sure, would sit at the bottom of the table), wore their best blouses—that is to say, with collars turned down to the shoulders, the back gathered into small plaits and the waist fastened very low down with a worked belt. <> And the shirts stood out from the chests like cuirasses! Everyone had just had his hair cut; ears stood out from the heads; they had been close-shaved; a few, even, who had had to get up before daybreak, and not been able to see to shave, had diagonal gashes under their noses or cuts the size of a three-franc piece along the jaws, which the fresh air en route had enflamed, so that the great white beaming faces were mottled here and there with red dabs.
• Large dishes of yellow cream, that trembled with the least shake of the table, had designed on their smooth surface the initials of the newly wedded pair in nonpareil arabesques.
• he himself brought in a set dish that evoked loud cries of wonderment. To begin with, at its base there was a square of blue cardboard, representing a temple with porticoes, colonnades, and stucco statuettes all round, and in the niches constellations of gilt paper stars; then on the second stage was a dungeon of Savoy cake, surrounded by many fortifications in candied angelica, almonds, raisins, and quarters of oranges; and finally, on the upper platform a green field with rocks set in lakes of jam, nutshell boats, and a small Cupid balancing himself in a chocolate swing whose two uprights ended in real roses for balls at the top.
• But with the coffee everyone woke up. Then they began songs, showed off tricks, raised heavy weights, performed feats with their fingers, then tried lifting carts on their shoulders, made broad jokes, kissed the women. At night when they left, the horses, stuffed up to the nostrils with oats, could hardly be got into the shafts; they kicked, reared, the harness broke, their masters laughed or swore; and all night in the light of the moon along country roads there were runaway carts at full gallop plunging into the ditches, jumping over yard after yard of stones, clambering up the hills, with women leaning out from the tilt to catch hold of the reins.
• The bride had begged her father to be spared the usual marriage pleasantries. However, a fishmonger, one of their cousins (who had even brought a pair of soles for his wedding present), began to squirt water from his mouth through the keyhole, when old Rouault came up just in time to stop him,
• drinking kirsch-punch, a mixture unknown to the company. This added greatly to the consideration in which he was held.
• He felt dreary as an empty house; and tender memories mingling with the sad thoughts in his brain, addled by the fumes of the feast, he felt inclined for a moment to take a turn towards the church. As he was afraid, however, that this sight would make him yet more sad, he went right away home.
• Charles, in the street buckled his spurs, his foot on the mounting stone, while she talked to him from above, picking with her mouth some scrap of flower or leaf that she blew out at him. Then this, eddying, floating, described semicircles in the air like a bird, and was caught before it reached the ground in the ill-groomed mane of the old white mare standing motionless at the door.
• Afterwards, he had lived fourteen months with the widow, whose feet in bed were cold as icicles.
• If her childhood had been spent in the shop-parlour of some business quarter, she might perhaps have opened her heart to those lyrical invasions of Nature, which usually come to us only through translation in books. But she knew the country too well; she knew the lowing of cattle, the milking, the ploughs. <> Accustomed to calm aspects of life, she turned, on the contrary, to those of excitement. She loved the sea only for the sake of its storms, and the green fields only when broken up by ruins. <> She wanted to get some personal profit out of things, and she rejected as useless all that did not contribute to the immediate desires of her heart, being of a temperament more sentimental than artistic, looking for emotions, not landscapes.
• They were all love, lovers, sweethearts, persecuted ladies fainting in lonely pavilions, postilions killed at every stage, horses ridden to death on every page, sombre forests, heartaches, vows, sobs, tears and kisses, little skiffs by moonlight, nightingales in shady groves, “gentlemen” brave as lions, gentle as lambs, virtuous as no one ever was, always well dressed, and weeping like fountains. For six months, then, Emma, at fifteen years of age, made her hands dirty with books from old lending libraries.
• But the uneasiness of her new position, or perhaps the disturbance caused by the presence of this man, had sufficed to make her believe that she at last felt that wondrous passion which, till then, like a great bird with rose-coloured wings, hung in the splendour of the skies of poesy; and now she could not think that the calm in which she lived was the happiness she had dreamed.
• It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds?
• Charles’s conversation was commonplace as a street pavement, and everyone’s ideas trooped through it in their everyday garb, without exciting emotion, laughter, or thought. <> A man, on the contrary, should he not know everything, excel in manifold activities, initiate you into the energies of passion, the refinements of life, all mysteries? But this one taught nothing, knew nothing, wished nothing. He thought her happy; and she resented this easy calm, this serene heaviness, the very happiness she gave him.
• Madame Bovary was lavish of them; and the words “daughter” and “mother” were exchanged all day long, accompanied by little quiverings of the lips, each one uttering gentle words in a voice trembling with anger.
• When she had thus for a while struck the flint on her heart without getting a spark, incapable, moreover, of understanding what she did not experience as of believing anything that did not present itself in conventional forms, she persuaded herself without difficulty that Charles’s passion was nothing very exorbitant.
• The red claws of lobsters hung over the dishes; rich fruit in open baskets was piled up on moss; there were quails in their plumage; smoke was rising; and in silk stockings, knee-breeches, white cravat, and frilled shirt, the steward, grave as a judge, offering ready carved dishes between the shoulders of the guests, with a touch of the spoon gave you the piece chosen.
• Emma shivered all over as she felt it cold in her mouth. She had never seen pomegranates nor tasted pineapples. The powdered sugar even seemed to her whiter and finer than elsewhere.
• The hair, well-smoothed over the temples and knotted at the nape, bore crowns, or bunches, or sprays of mytosotis, jasmine, pomegranate blossoms, ears of corn, and corn-flowers. Calmly seated in their places, mothers with forbidding countenances were wearing red turbans.
• Those who were beginning to grow old had an air of youth, while there was something mature in the faces of the young. In their unconcerned looks was the calm of passions daily satiated, and through all their gentleness of manner pierced that peculiar brutality, the result of a command of half-easy things, in which force is exercised and vanity amused—the management of thoroughbred horses and the society of loose women.
• The boards of the harness room shone like the flooring of a drawing room.
• She devoutly put away in her drawers her beautiful dress, down to the satin shoes whose soles were yellowed with the slippery wax of the dancing floor. Her heart was like these. In its friction against wealth something had come over it that could not be effaced. <> The memory of this ball, then, became an occupation for Emma.
• (The green silk cigar case:) A breath of love had passed over the stitches on the canvas; each prick of the needle had fixed there a hope or a memory, and all those interwoven threads of silk were but the continuity of the same silent passion.
• In Eugene Sue she studied descriptions of furniture; she read Balzac and George Sand, seeking in them imaginary satisfaction for her own desires.
• She confused in her desire the sensualities of luxury with the delights of the heart, elegance of manners with delicacy of sentiment. Did not love, like Indian plants, need a special soil, a particular temperature? Signs by moonlight, long embraces, tears flowing over yielded hands, all the fevers of the flesh and the languors of tenderness could not be separated from the balconies of great castles full of indolence, from boudoirs with silken curtains and thick carpets, well-filled flower-stands, a bed on a raised dias, nor from the flashing of precious stones and the shoulder-knots of liveries.
• she sometimes threw beggars all the silver in her purse, although she was by no means tender-hearted or easily accessible to the feelings of others, like most country-bred people, who always retain in their souls something of the horny hardness of the paternal hands.

• Change my billiard-table!” she went on, speaking to herself, “the table that comes in so handy for folding the washing, and on which, in the hunting season, I have slept six visitors!
• The chemist answered: “I have a religion, my religion, and I even have more than all these others with their mummeries and their juggling. I adore God, on the contrary. ...  For one can know Him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! Mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the ‘Savoyard Vicar,’ and the immortal principles of ‘89! And I can’t admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws,
• and this heat, moreover, which, on account of the aqueous vapours given off by the river and the considerable number of cattle in the fields, which, as you know, exhale much ammonia, that is to say, nitrogen, hydrogen and oxygen (no, nitrogen and hydrogen alone), and which sucking up into itself the humus from the ground, mixing together all those different emanations, unites them into a stack, so to say, and combining with the electricity diffused through the atmosphere, when there is any, might in the long run, as in tropical countries, engender insalubrious miasmata—this heat, I say,
• “One thinks of nothing,” he continued; “the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blending with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes.”
  “That is true! That is true?” she said.
  “Has it ever happened to you,” Leon went on, “to come across some vague idea of one’s own in a book, some dim image that comes back to you from afar, and as the completest expression of your own slightest sentiment?”
• continued Emma. “Now I, on the contrary, adore stories that rush breathlessly along, that frighten one. I detest commonplace heroes and moderate sentiments, such as there are in nature.”
• This was the fourth time that she had slept in a strange place.
  The first was the day of her going to the convent; the second, of her arrival at Tostes; the third, at Vaubyessard; and this was the fourth. And each one had marked, as it were, the inauguration of a new phase in her life. She did not believe that things could present themselves in the same way in different places, and since the portion of her life lived had been bad, no doubt that which remained to be lived would be better.
• Thus she did not amuse herself with those preparations that stimulate the tenderness of mothers, and so her affection was from the very outset, perhaps, to some extent attenuated.
• this idea of having a male child was like an expected revenge for all her impotence in the past... But a woman is always hampered. At once inert and flexible, she has against her the weakness of the flesh and legal dependence. Her will, like the veil of her bonnet, held by a string, flutters in every wind; there is always some desire that draws her, some conventionality that restrains.
• First she went over all those that have Italian endings, such as Clara, Louisa, Amanda, Atala; she liked Galsuinde pretty well, and Yseult or Leocadie still better.
• Finally, the last luxury in the apartment was a “Fame” blowing her trumpets, a picture cut out, no doubt, from some perfumer’s prospectus and nailed to the wall with six wooden shoe-pegs.
• As to Emma, she did not ask herself whether she loved. Love, she thought, must come suddenly, with great outbursts and lightnings—a hurricane of the skies, which falls upon life, revolutionises it, roots up the will like a leaf, and sweeps the whole heart into the abyss. She did not know that on the terrace of houses it makes lakes when the pipes are choked, and she would thus have remained in her security when she suddenly discovered a rent in the wall of it.
• his very back, his calm back, was irritating to behold, and she saw written upon his coat all the platitude of the bearer.
• Then Monsieur Lheureux delicately exhibited three Algerian scarves, several packets of English needles, a pair of straw slippers, and finally, four eggcups in cocoanut wood, carved in open work by convicts.
• It was the same on the following days; her talks, her manners, everything changed. She took interest in the housework, went to church regularly, and looked after her servant with more severity.
• To him she stood outside those fleshly attributes from which he had nothing to obtain, and in his heart she rose ever, and became farther removed from him after the magnificent manner of an apotheosis that is taking wing. It was one of those pure feelings that do not interfere with life, that are cultivated because they are rare, and whose loss would afflict more than their passion rejoices.
• She was so sad and so calm, at once so gentle and so reserved, that near her one felt oneself seized by an icy charm, as we shudder in churches at the perfume of the flowers mingling with the cold of the marble.
• But the more Emma recognised her love, the more she crushed it down, that it might not be evident, that she might make it less.
• Then the lusts of the flesh, the longing for money, and the melancholy of passion all blended themselves into one suffering
• What exasperated her was that Charles did not seem to notice her anguish. His conviction that he was making her happy seemed to her an imbecile insult, and his sureness on this point ingratitude. For whose sake, then was she virtuous? Was it not for him, the obstacle to all felicity, the cause of all misery, and, as it were, the sharp clasp of that complex strap that bucked her in on all sides.
• She was so sad, so sad, to see her standing upright on the threshold of her house, she seemed to you like a winding-sheet spread out before the door.
• “But those,” replied Emma, and the corners of her mouth twitched as she spoke, “those, Monsieur le Cure, who have bread and have no—”
  “Fire in the winter,” said the priest.
  “Oh, what does that matter?”
  “What! What does it matter? It seems to me that when one has firing and food—for, after all—”
  “My God! my God!” she sighed.
  “It is indigestion, no doubt? You must get home, Madame Bovary; drink a little tea, that will strengthen you, or else a glass of fresh water with a little moist sugar.”
• Henceforth the memory of Leon was the centre of her boredom; it burnt there more brightly than the fire travellers have left on the snow of a Russian steppe. She sprang towards him, she pressed against him, she stirred carefully the dying embers, sought all around her anything that could revive it; and the most distant reminiscences, like the most immediate occasions, what she experienced as well as what she imagined, her voluptuous desires that were unsatisfied, her projects of happiness that crackled in the wind like dead boughs, her sterile virtue, her lost hopes, the domestic tete-a-tete—she gathered it all up, took everything, and made it all serve as fuel for her melancholy.
  The flames, however, subsided, either because the supply had exhausted itself, or because it had been piled up too much. Love, little by little, was quelled by absence; regret stifled beneath habit; and this incendiary light that had empurpled her pale sky was overspread and faded by degrees. In the supineness of her conscience she even took her repugnance towards her husband for aspirations towards her lover, the burning of hate for the warmth of tenderness
• Then the evil days of Tostes began again. She thought herself now far more unhappy; for she had the experience of grief, with the certainty that it would not end.
  In spite of her vapourish airs (as the housewives of Yonville called them), Emma, all the same, never seemed gay, and usually she had at the corners of her mouth that immobile contraction that puckers the faces of old maids, and those of men whose ambition has failed.
• The window in the provinces replaces the theatre and the promenade,
• Poor little woman! She is gaping after love like a carp after water on a kitchen-table. With three words of gallantry she’d adore one, I’m sure of it. She’d be tender, charming. Yes; but how to get rid of her afterwards?
• He had that incongruity of common and elegant in which the habitually vulgar think they see the revelation of an eccentric existence, of the perturbations of sentiment, the tyrannies of art, and always a certain contempt for social conventions, that seduces or exasperates them.


• “What!” said he. “Do you not know that there are souls constantly tormented? They need by turns to dream and to act, the purest passions and the most turbulent joys, and thus they fling themselves into all sorts of fantasies, of follies.”
  Then she looked at him as one looks at a traveller who has voyaged over strange lands, and went on—
  “We have not even this distraction, we poor women!”
  “A sad distraction, for happiness isn’t found in it.”
  “But is it ever found?” she asked.
  “Yes; one day it comes,” he answered.
  “And this is what you have understood,” said the councillor. “You, farmers, agricultural labourers! you pacific pioneers of a work that belongs wholly to civilization! you, men of progress and morality, you have understood, I say, that political storms are even more redoubtable than atmospheric disturbances!”
• “But one must,” said Emma, “to some extent bow to the opinion of the world and accept its moral code.”
  “Ah! but there are two,” he replied. “The small, the conventional, that of men, that which constantly changes, that brays out so loudly, that makes such a commotion here below, of the earth earthly, like the mass of imbeciles you see down there. But the other, the eternal, that is about us and above, like the landscape that surrounds us, and the blue heavens that give us light.”
• Rodolphe had drawn nearer to Emma, and said to her in a low voice, speaking rapidly—  “Does not this conspiracy of the world revolt you? Is there a single sentiment it does not condemn? The noblest instincts, the purest sympathies are persecuted, slandered; and if at length two poor souls do meet, all is so organised that they cannot blend together. Yet they will make the attempt; they will flutter their wings; they will call upon each other.
• From magnetism little by little Rodolphe had come to affinities, and while the president was citing Cincinnatus and his plough, Diocletian, planting his cabbages, and the Emperors of China inaugurating the year by the sowing of seed, the young man was explaining to the young woman that these irresistible attractions find their cause in some previous state of existence.
• “To Monsieur Bizat of Quincampoix.”
  “Did I know I should accompany you?”
  “Seventy francs.”
  “A hundred times I wished to go; and I followed you—I remained.”
  “Manures!”
  “And I shall remain to-night, to-morrow, all other days, all my life!”
• For one does not struggle against Heaven; one cannot resist the smile of angels; one is carried away by that which is beautiful, charming, adorable.”
  It was the first time that Emma had heard such words spoken to herself, and her pride, like one who reposes bathed in warmth, expanded softly and fully at this glowing language.
• In my soul you are as a Madonna on a pedestal, in a place lofty, secure, immaculate. But I need you to live! I must have your eyes, your voice, your thought! Be my friend, my sister, my angel!”
• She repeated, “I have a lover! a lover!” delighting at the idea as if a second puberty had come to her. So at last she was to know those joys of love, that fever of happiness of which she had despaired! She was entering upon marvels where all would be passion, ecstasy, delirium.
  Then she recalled the heroines of the books that she had read, and the lyric legion of these adulterous women began to sing in her memory with the voice of sisters that charmed her.
• their great love, which engrossed her life, seemed to lessen beneath her like the water of a stream absorbed into its channel, and she could see the bed of it. She would not believe it; she redoubled in tenderness, and Rodolphe concealed his indifference less and less.
• Under her window there was a beehive, and sometimes the bees wheeling round in the light struck against her window like rebounding balls of gold.
• Neither Ambrose Pare, applying for the first time since Celsus, after an interval of fifteen centuries, a ligature to an artery, nor Dupuytren, about to open an abscess in the brain, nor Gensoul when he first took away the superior maxilla, had hearts that trembled, hands that shook, minds so strained as Monsieur Bovary when he approached Hippolyte, his tenotome between his fingers.
• had implored His mercy, and who certainly died in the best frame of mind. Let us hope that, like them, you will set us a good example. Thus, as a precaution, what is to prevent you from saying morning and evening a ‘Hail Mary, full of grace,’ and ‘Our Father which art in heaven’? Yes, do that, for my sake, to oblige me. That won’t cost you anything. Will you promise me?” <> The poor devil promised. The cure came back day after day. He chatted with the landlady; and even told anecdotes interspersed with jokes and puns that Hippolyte did not understand.
• “These are the inventions of Paris! These are the ideas of those gentry of the capital! It is like strabismus, chloroform, lithotrity, a heap of monstrosities that the Government ought to prohibit. But they want to do the clever, and they cram you with remedies without, troubling about the consequences. We are not so clever, not we!
• And he was the more esteemed for this imperturbable coolness. The universe to the last man might have died, and he would not have missed the smallest of his habits.
• Emma, opposite, watched him; she did not share his humiliation; she felt another—that of having supposed such a man was worth anything. As if twenty times already she had not sufficiently perceived his mediocrity.
• Everything in him irritated her now; his face, his dress, what he did not say, his whole person, his existence, in fine. She repented of her past virtue as of a crime, and what still remained of it rumbled away beneath the furious blows of her pride. She revelled in all the evil ironies of triumphant adultery.
• So also he disbursed three hundred francs for a wooden leg that she thought proper to make a present of to Hippolyte. Its top was covered with cork, and it had spring joints, a complicated mechanism, covered over by black trousers ending in a patent-leather boot. But Hippolyte, not daring to use such a handsome leg every day, begged Madame Bovary to get him another more convenient one.
• You are my king, my idol! You are good, you are beautiful, you are clever, you are strong!”
  He had so often heard these things said that they did not strike him as original. Emma was like all his mistresses; and the charm of novelty, gradually falling away like a garment, laid bare the eternal monotony of passion, that has always the same forms and the same language. He did not distinguish, this man of so much experience, the difference of sentiment beneath the sameness of expression. Because lips libertine and venal had murmured such words to him, he believed but little in the candour of hers;
• human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars.
• Her desires, her sorrows, the experience of pleasure, and her ever-young illusions, that had, as soil and rain and winds and the sun make flowers grow, gradually developed her, and she at length blossomed forth in all the plenitude of her nature.
• The mere idea of the grief that would come to you tortures me, Emma. Forget me! Why did I ever know you? Why were you so beautiful? Is it my fault? O my God! No, no! Accuse only fate.” <> “That’s a word that always tells,” he said to himself.
• he wrote to Monsieur Boulard, bookseller to Monsignor, to send him “something good for a lady who was very clever.” The bookseller, with as much indifference as if he had been sending off hardware to niggers, packed up, pellmell, everything that was then the fashion in the pious book trade.
• the secular stories, relieved with religion, seemed to her written in such ignorance of the world, that they insensibly estranged her from the truths for whose proof she was looking. Nevertheless, she persevered; and when the volume slipped from her hands, she fancied herself seized with the finest Catholic melancholy that an ethereal soul could conceive.
• When she knelt on her Gothic prie-Dieu, she addressed to the Lord the same suave words that she had murmured formerly to her lover in the outpourings of adultery.
• she had words so affectionate with looks so haughty, such contradictory ways, that one could no longer distinguish egotism from charity, or corruption from virtue.
• ‘Castigat ridendo mores,’ *It corrects customs through laughter.
• But that happiness, no doubt, was a lie invented for the despair of all desire. She now knew the smallness of the passions that art exaggerated.
• Leon at once envied the calm of the tomb, and one evening he had even made his will, asking to be buried in that beautiful rug with velvet stripes he had received from her. For this was how they would have wished to be, each setting up an ideal to which they were now adapting their past life. Besides, speech is a rolling-mill that always thins out the sentiment.
• Madame Bovary, as she listened to him, wondered that she was so old. All these things reappearing before her seemed to widen out her life; it was like some sentimental immensity to which she returned;
• with the ineffable seduction of yielding virtue. The church like a huge boudoir spread around her; the arches bent down to gather in the shade the confession of her love
• Madame Bovary put up her eyeglasses. Leon, motionless, looked at her, no longer even attempting to speak a single word, to make a gesture, so discouraged was he at this two-fold obstinacy of gossip and indifference.
  The everlasting guide went on— <> “Near him, this kneeling woman who weeps is his spouse, Diane de Poitiers
• Charles had begged Homais to break the horrible news to her gradually. Homais had thought over his speech; he had rounded, polished it, made it rhythmical; it was a masterpiece of prudence and transitions, of subtle turns and delicacy; but anger had got the better of rhetoric.
• Bovary was searching at the bottom of his purse for a centime, and without appearing to understand all there was of humiliation for him in the mere presence of this man, who stood there like a personified reproach to his incurable incapacity.
• “Unless Leon—” replied Charles, who was reflecting. But it was difficult to explain matters by letter. Then she offered to make the journey, but he thanked her. She insisted. It was quite a contest of mutual consideration.
• She asked him for some verses—some verses “for herself,” a “love poem” in honour of her. But he never succeeded in getting a rhyme for the second verse; and at last ended by copying a sonnet in a “Keepsake.”
• But the disparaging of those we love always alienates us from them to some extent. We must not touch our idols; the gilt sticks to our fingers.
• in the letters that Emma wrote him she spoke of flowers, verses, the moon and the stars, naive resources of a waning passion striving to keep itself alive by all external aids. She was constantly promising herself a profound felicity on her next journey. Then she confessed to herself that she felt nothing extraordinary.
• for every bourgeois in the flush of his youth, were it but for a day, a moment, has believed himself capable of immense passions, of lofty enterprises. The most mediocre libertine has dreamed of sultanas; every notary bears within him the debris of a poet. <> He was bored now when Emma suddenly began to sob on his breast, and his heart, like the people who can only stand a certain amount of music, dozed to the sound of a love whose delicacies he no longer noted.
• So she had done, she thought, with all the treachery; and meanness, and numberless desires that had tortured her. She hated no one now; a twilight dimness was settling upon her thoughts, and, of all earthly noises, Emma heard none but the intermittent lamentations of this poor heart, sweet and indistinct like the echo of a symphony dying away.
• "Where the sickle blades have been, Nannette, gathering ears of corn, Passes bending down, my queen, To the earth where they were born.”
• There is always after the death of anyone a kind of stupefaction; so difficult is it to grasp this advent of nothingness and to resign ourselves to believe in it.
• (Homais & Monsieur Bournisien:) They sat opposite one another, with protruding stomachs, puffed-up faces, and frowning looks, after so much disagreement uniting at last in the same human weakness, and they moved no more than the corpse by their side, that seemed to be sleeping.
• He was enthusiastic about the hydro-electric Pulvermacher chains; he wore one himself, and when at night he took off his flannel vest, Madame Homais stood quite dazzled before the golden spiral beneath which he was hidden, and felt her ardour redouble for this man more bandaged than a Scythian, and splendid as one of the Magi.