"Wives and Daughters"

[fiefoe]

Elizabeth Gaskell's last work is full of fine character portraiture, but I still prefer Cranford for its de-emphasis on the marriage plot.

• where lived my Lord and Lady Cumnor: "the earl" and "the countess," as they were always called by the inhabitants of the town; where a very pretty amount of feudal feeling still lingered, and showed itself in a number of simple ways, droll enough to look back upon, but serious matters of importance at the time. It was before the passing of the Reform Bill
• But no such thing. "The earl" was lord of the manor, and owner of much of the land on which Hollingford was built; he and his household were fed, and doctored, and, to a certain measure, clothed by the good people of the town; their fathers' grandfathers had always voted for the eldest son of Cumnor Towers, and following in the ancestral track, every man-jack in the place gave his vote to the liege lord, totally irrespective of such chimeras as political opinion. <> This was no unusual instance of the influence of the great land-owners over humbler neighbours in those days before railways,
• my lord's taking a fancy to go "pottering" (as the agent irreverently expressed it in the sanctuary of his own home), which, being interpreted, meant that occasionally the earl asked his own questions of his own tenants, and used his own eyes and ears in the management of the smaller details of his property. But his tenants liked my lord all the better for this habit of his. Lord Cumnor had certainly a little time for gossip, which he contrived to combine with the failing of personal intervention between the old land-steward and the tenantry. But, then, the countess made up by her unapproachable dignity for this weakness of the earl's. Once a year she was condescending.
• * they returned with the happy consciousness of a well-spent day, but with some fatigue at the long-continued exertion of behaving their best, and talking on stilts for so many hours.
• her voice deep and unmodulated,—what in a lower rank of life would have been called gruff; but that was not a word to apply to Lady Cuxhaven, the eldest daughter of the earl and countess.
• I married a Mr. Kirkpatrick; he was only a curate, poor fellow; but he was of a very good family, and if three of his relations had died without children I should have been a baronet's wife. But Providence did not see fit to permit it; and we must always resign ourselves to what is decreed. Two of his cousins married, and had large families; and poor dear Kirkpatrick died, leaving me a widow."
• Lord Cumnor was very fond of getting hold of what he fancied was a joke, and working his idea threadbare; so all the time the ladies were in the room he kept on his running fire at Molly, alluding to the Sleeping Beauty, the Seven Sleepers, and any other famous sleeper that came into his head. He had no idea of the misery his jokes were to the sensitive girl,
• "I'm rather lost in that plan of yours; the details, as you state them, are a little puzzling; but if I make them out rightly, I am to go about the country, like the donkeys on the common, with a clog fastened to my hind leg."
  "I don't mind your calling me a clog, if only we were fastened together."
  "But I do mind you calling me a donkey," he replied.
  "I never did. At least I didn't mean to. But it is such a comfort to know that I may be as rude as I like."
  "Is that what you've learnt from the grand company you've been keeping to-day? I expected to find you so polite and ceremonious, that I read a few chapters of Sir Charles Grandison, in order to bring myself up to concert pitch."
• he was tall, grave, rather handsome than otherwise; thin enough to be called "a very genteel figure," in those days, before muscular Christianity had come into vogue; speaking with a slight Scotch accent; and, as one good lady observed, "so very trite in his conversation," by which she meant sarcastic.
• Don't teach Molly too much: she must sew, and read, and write, and do her sums; but I want to keep her a child, and if I find more learning desirable for her, I'll see about giving it to her myself. After all, I'm not sure that reading or writing is necessary. Many a good woman gets married with only a cross instead of her name; it's rather a diluting of mother-wit, to my fancy; but, however, we must yield to the prejudices of society, Miss Eyre, and so you may teach the child to read."
• * He had not an ounce of superfluous flesh on his bones; and leanness goes a great way to gentility. His complexion was sallow, and his hair black; in those days, the decade after the conclusion of the great continental war, to be sallow and black-a-vised was of itself a distinction;
• You know the story of King Midas's barber, who found out that his royal master had the ears of an ass beneath his hyacinthine curls. So the barber, in default of a Mr. Wynne, went to the reeds that grew on the shores of a neighbouring lake, and whispered to them, 'King Midas has the ears of an ass.' But he repeated it so often that the reeds learnt the words, and kept on saying them all day long, till at last the secret was no secret at all. If you keep on telling your tale to Mr. Wynne, are you sure he won't repeat it in his turn?"
• At the Hamleys: There was a little strip of bedside carpeting, but the wooden flooring, thus liberally displayed, was of finely-grained oak, so firmly joined, plank to plank, that no grain of dust could make its way into the interstices. There were none of the luxuries of modern days; no writing-table, or sofa, or pier-glass.
• "They and the rooks are always at war, which doesn't do for such near neighbours. If both herons leave the nest they are building, the rooks come and tear it to pieces; and once Roger showed me a long straggling fellow of a heron, with a flight of rooks after him, with no friendly purpose in their minds, I'll be bound. Roger knows a deal of natural history, and finds out queer things sometimes.
• * But fate is a cunning hussy, and builds up her plans as imperceptibly as a bird builds her nest; and with much the same kind of unconsidered trifles. The first "trifle" of an event was the disturbance which Jenny (Mr. Gibson's cook) chose to make at Bethia's being dismissed.
• "Well, well, I submit. I am a woman. Molly, thou art a woman! Go and order some strawberries and cream for this father of yours. Such humble offices fall within the province of women. Strawberries and cream are all kindness and no common sense, for they'll give him a horrid fit of indigestion."
• To Molly, who was not finely discriminative in her glances at the stranger this first night, he simply appeared "heavy-looking, clumsy," and "a person she was sure she should never get on with." He certainly did not seem to care much what impression he made upon his mother's visitor. He was at that age when young men admire a formed beauty more than a face with any amount of future capability of loveliness, and when they are morbidly conscious of the difficulty of finding subjects of conversation in talking to girls in a state of feminine hobbledehoyhood. Besides, his thoughts were full of other subjects, which he did not intend to allow to ooze out in words, yet he wanted to prevent any of that heavy silence which he feared might be impending
• "No; but I was well versed in the tender passion, thanks to novels. Now I daresay you don't admit novels into your school-room, Mary; so your daughters wouldn't be able to administer discreet sympathy to their governess in case she was the heroine of a love-affair."
  "My dear Harriet, don't let me hear you talking of love in that way; it is not pretty. Love is a serious thing."
  "My dear mamma, your exhortations are just eighteen years too late. I've talked all the freshness off love, and that's the reason I'm tired of the subject."
• Clare: She could no longer blush; and at eighteen she had been very proud of her blushes. Her eyes were soft, large, and china-blue in colour; they had not much expression or shadow about them
• They both followed the man upstairs; Mrs. Kirkpatrick trying hard to look as if nothing had happened, for she particularly wished "to prepare" Lady Cumnor; that is to say, to give her version of Mr. Gibson's extreme urgency, and her own coy unwillingness.
• "Wait a moment," said he,—quite unnecessarily, for she could not have stirred,—and he was off like a shot to some spring of water that he knew of in the wood, and in a minute or two he returned with careful steps, bringing a little in a broad green leaf, turned into an impromptu cup. Little as it was, it did her good.
• * "It is right to hope for the best about everybody, and not to expect the worst. This sounds like a truism, but it has comforted me before now, and some day you'll find it useful. One has always to try to think more of others than of oneself, and it is best not to prejudge people on the bad side. My sermons aren't long, are they? Have they given you an appetite for lunch? Sermons always make me hungry, I know."
• she had listened quietly to Mr. Gibson's proposal that Molly and Cynthia should be the two bridesmaids, still she had felt how disagreeable it would be to her to have her young daughter flashing out her beauty by the side of the faded bride, her mother; and as the further arrangements for the wedding became more definite, she saw further reasons in her own mind for Cynthia's remaining quietly at her school at Boulogne.
• * It is odd enough to see how the entrance of a person of the opposite sex into an assemblage of either men or women calms down the little discordances and the disturbance of mood. It was the case now;
• * He felt as if high principle and noble precept ought to perform an immediate work. But they do not, for there is always the unknown quantity of individual experience and feeling, which offer a tacit resistance, the amount incalculable by another, to all good counsel and high decree. But the bond between the Mentor and his Telemachus strengthened every day. He endeavoured to lead her out of morbid thought into interest in other than personal things; and, naturally enough, his own objects of interest came readiest to hand. She felt that he did her good, she did not know why or how; but after a talk with him, she always fancied that she had got the clue to goodness and peace, whatever befell.
• Every young girl of seventeen or so, who is at all thoughtful, is very apt to make a Pope out of the first person who presents to her a new or larger system of duty than that by which she has been unconsciously guided hitherto. Such a Pope was Roger to Molly; she looked to his opinion, to his authority on almost every subject, yet he had only said one or two things in a terse manner which gave them the force of precepts—stable guides to her conduct—and had shown the natural superiority in wisdom and knowledge which is sure to exist between a highly educated young man of no common intelligence, and an ignorant girl of seventeen, who yet was well capable of appreciation. Still, although they were drawn together in this very pleasant relationship, each was imagining some one very different for the future owner of their whole heart—their highest and completest love.
• "You seem to have seen a great deal of Mr. Roger, Molly!" said Miss Browning, in a way intended to convey a great deal of meaning to her sister and none at all to Molly. But— The man recovered of the bite; / The dog it was that died.
• "You see, we must have all in order for a lady who has passed so much of her time in the countess's mansion," said Miss Browning, who was now quite reconciled to the marriage, thanks to the pleasant employment of furnishing that had devolved upon her in consequence. "Cromer, the upholsterer, wanted to persuade me to have a sofa and a writing-table. These men will say anything is the fashion, if they want to sell an article. I said, 'No, no, Cromer: bedrooms are for sleeping in, and sitting-rooms are for sitting in.
• "I cannot bear that sort of person," said Lady Harriet, almost before he was out of hearing; "giving himself airs of gallantry towards one to whom his simple respect is all his duty. I can talk to one of my father's labourers with pleasure, while with a man like that underbred fop I am all over thorns and nettles. What is it the Irish call that style of creature? They've some capital word for it, I know.
• Don't you see, little one, I talk after my kind, just as you talk after your kind. It's only on the surface with both of us. Why, I daresay some of your good Hollingford ladies talk of the poor people in a manner which they would consider as impertinent in their turn, if they could hear it. .. Any one who earns his livelihood by any exercise of head or hands, from professional people and rich merchants down to labourers, she calls 'persons.' She would never in her most slip-slop talk accord them even the conventional title of 'gentlemen;' and the way in which she takes possession of human beings, 'my woman,' 'my people,'
• "Tell the truth, now and evermore. Truth is generally amusing, if it's nothing else!"
• Yet Miss Brownings, who did not look upon young men as if their natural costume was a helmet and a suit of armour, thought Mr. Roger Hamley a very personable young fellow,
• Mrs. Hamley seemed charmed with him to such a degree that Molly once or twice fancied that mother and son would have been happier in her absence. Yet, again, it struck on the shrewd, if simple girl, that Osborne was mentally squinting at her in the conversation which was directed to his mother. There were little turns and 'fioriture' of speech which Molly could not help feeling were graceful antics of language not common in the simple daily intercourse between mother and son.
• And sister was taking her forty winks; and I was sitting with my gown up above my knees and my feet on the fender, pulling out my grandmother's lace which I'd been washing. The worst has yet to be told. I'd taken off my cap, for I thought it was getting dusk and no one would come, and there was I in my black silk skull-cap, when Nancy put her head in, and whispered, 'There's a lady downstairs—a real grand one, by her talk;' and in there came my Lady Harriet, so sweet and pretty in her ways, it was some time before I remembered I had never a cap on.
• * The cook did not like the trouble of late dinners; and, being a Methodist, she objected on religious grounds to trying any of Mrs. Gibson's new receipts for French dishes. It was not scriptural, she said. There was a deal of mention of food in the Bible; but it was of sheep ready dressed, which meant mutton, and of wine, and of bread-and-milk, and figs and raisins, of fatted calves, a good well-browned fillet of veal, and such like; but it had always gone against her conscience to cook swine-flesh and make raised pork-pies, and now if she was to be set to cook heathen dishes after the fashion of the Papists, she'd sooner give it all up together. So the cook followed in Betty's track, and Mr. Gibson had to satisfy his healthy English appetite on badly-made omelettes, rissoles, vol-au-vents, croquets, and timbales; never being exactly sure what he was eating.
• being an unperceptive person, except when her own interests were dependent upon another person's humour, never found out how he was worried by all the small daily concessions which he made to her will or her whims. He never allowed himself to put any regret into shape, even in his own mind;
• * He had the advantage over Mrs. Gibson, who, in fact, only spoke of these things from hearsay, from listening to the talk at the Towers, while Osborne had run up from Cambridge two or three times to hear this, or to see that wonder of the season. But she had the advantage over him in greater boldness of invention to eke out her facts; and besides she had more skill in the choice and arrangement of her words, so as to make it appear as if the opinions that were in reality quotations, were formed by herself from actual experience or personal observation;
• * "I do like that Osborne Hamley! What a nice fellow he is! Somehow, I always do like eldest sons. He will have the estate, won't he? 
• the thicket was tangled with dead weeds and rime and hoar-frost; and the beautiful fine articulations of branches and boughs and delicate twigs were all intertwined in leafless distinctness against the sky. Could she ever be so passionately unhappy again?
• A school-girl may be found in every school who attracts and influences all the others, not by her virtues, nor her beauty, nor her sweetness, nor her cleverness, but by something that can neither be described nor reasoned upon. It is the something alluded to in the old lines:—
  Love me not for comely grace,
  For my pleasing eye and face;
  No, nor for my constant heart,—
  For these may change, and turn to ill,
  And thus true love may sever.
  But love me on, and know not why,
  So hast thou the same reason still
  To dote upon me ever.
• Molly was hurt for Cynthia at all these speeches; she thought they implied that the pleasure which her mother felt in seeing her a fortnight sooner after her two years' absence was inferior to that which she would have received from a bundle of silver-paper patterns. But Cynthia took no apparent notice of the frequent recurrence of these small complaints. Indeed, she received much of what her mother said with a kind of complete indifference
• She was thinking again of Mrs. Hamley,—
  Only the actions of the just / Smell sweet and blossom in the dust,
  and "goodness" just then seemed to her to be the only enduring thing in the world.
  "Nonsense, Molly! You are good. At least, if you're not good, what am I? There's a rule-of-three sum for you to do! But it's no use talking; I am not good, and I never shall be now. Perhaps I might be a heroine still, but I shall never be a good woman, I know."
  "Do you think it easier to be a heroine?"
  "Yes, as far as one knows of heroines from history. I'm capable of a great jerk, an effort, and then a relaxation—but steady, every-day goodness is beyond me. I must be a moral kangaroo!"
• It was the first time Molly had seen any of the family since she left the Hall, just before Mrs. Hamley's death; and there was so much that she wanted to ask. She tried to wait patiently till Mrs. Gibson had exhausted the first gush of her infinite nothings; and then Molly came in with her modest questions. How was the Squire? Had he returned to his old habits? Had his health suffered?—putting each inquiry with as light and delicate a touch as if she had been dressing a wound.
• * To careless observers, for instance, it would seem as though the Squire was rendered more capricious and exacting, more passionate and authoritative, by his wife's death. The truth was, that it occurred at a time when many things came to harass him, and some to bitterly disappoint him; and she was no longer there to whom he used to carry his sore heart for the gentle balm of her sweet words. So the sore heart ached and smarted intensely; and often, when he saw how his violent conduct affected others, he could have cried out for their pity, instead of their anger and resentment: "Have mercy upon me, for I am very miserable." How often have such dumb thoughts gone up from the hearts of those who have taken hold of their sorrow by the wrong end, as prayers against sin!
• saying many a time to all who might care to listen to him that it was the first time for generations that the Hamleys of Hamley had not been able to keep their own coach... It had never been the Squire's custom to encourage his boys to invite their friends to the Hall. Perhaps this, too, was owing to his mauvaise honte, and also to an exaggerated consciousness of the deficiencies of his establishment as compared with what he imagined these lads were accustomed to at home.
• * That watch had been given him by his father when watches were watches long ago. It had given the law to house-clocks, stable-clocks, kitchen-clocks—nay, even to Hamley Church clock in its day; and was it now, in its respectable old age, to be looked down upon by a little whipper-snapper of a French watch which could go into a man's waistcoat pocket, instead of having to be extricated, with due effort, like a respectable watch of size and position, from a fob in the waistband? No! not if the whipper-snapper were backed by all the Horse Guards that ever were, with the Life Guards to boot. Poor Osborne might have known better than to cast this slur on his father's flesh and blood; for so dear did he hold his watch!
• At the present time there are few people at a public ball besides the dancers and their chaperones, or relations in some degree interested in them. But in the days when Molly and Cynthia were young—before railroads were, and before their consequences, the excursion-trains, which take every one up to London now-a-days, there to see their fill of gay crowds and fine dresses—to go to an annual charity-ball, even though all thought of dancing had passed by years ago, and without any of the responsibilities of a chaperone, was a very allowable and favourite piece of dissipation to all the kindly old maids who thronged the country towns of England.
• She was a manager, if ever there was a one; and brought up nine children on less than any one else could do, I'll be bound. Why! she wouldn't let us be extravagant—not even in the matter of colds. Whenever any on us had got a pretty bad cold, she took the opportunity and cut our hair; for she said, said she, it was of no use having two colds when one would do—and cutting of our hair was sure to give us a cold.
• It is very likely that if Molly had been a stupid listener, Lord Hollingford would not have discovered her beauty; or the converse might be asserted—if she had not been young and pretty, he would not have exerted himself to talk on scientific subjects in a manner which she could understand. But in whatever way Molly had won his approbation and admiration, there was no doubt that she had earned it somehow.
• * Mrs. Gibson, it is true, was ready to go over the ground as many times as any one liked; but her words were always like ready-made clothes, and never fitted individual thoughts. Anybody might have used them, and, with a change of proper names, they might have served to describe any ball.
• "Miss Kirkpatrick's eyes must always be perfection. I cannot fancy any could come up to them: soft, grave, appealing, tender; and such a heavenly colour—I often try to find something in nature to compare them to; they are not like violets—that blue in the eyes is too like physical weakness of sight; they are not like the sky—that colour has something of cruelty in it."
  "Come, don't go on trying to match her eyes as if you were a draper, and they a bit of ribbon; say at once 'her eyes are load-stars,' and have done with it! I set up Molly's grey eyes and curling black lashes, long odds above the other young woman's; but, of course, it's all a matter of taste."
• Mrs. Gibson:who was trying to train her midday appetite into the genteelest of all ways, and thought (falsely enough) that Dr. Nicholls was a good person to practise the semblance of ill-health upon, and that he would give her the proper civil amount of commiseration for her ailments, which every guest ought to bestow upon a hostess who complains of her delicacy of health. The old doctor was too cunning a man to fall into this trap. He would keep recommending her to try the coarsest viands on the table;
• "The old mare could make her way better without being led, my fine fellow. But I see through your dodge. You're afraid of your old father turning back and getting into another rage. Position indeed! a beggarly squire—a man who did turn off his men just before winter, to rot or starve, for all he cared—it's just like a brutal old Tory." And, under the cover of sympathy with the dismissed labourers, Mr. Preston indulged his own private pique very pleasantly.
• If Molly had not been so entirely loyal to her friend, she might have thought this constant brilliancy a little tiresome when brought into every-day life; it was not the sunshiny rest of a placid lake, it was rather the glitter of the pieces of a broken mirror, which confuses and bewilders. Cynthia would not talk quietly about anything now; subjects of thought or conversation seemed to have lost their relative value. There were exceptions to this mood of hers, when she sank into deep fits of silence, that would have been gloomy had it not been for the never varying sweetness of her temper.
• * "She is much prettier than Molly to begin with, and has very winning ways. She's always well-dressed and smart-looking, and I know she hasn't much to spend on her clothes, and always does what she's asked to do, and is ready enough with her pretty, lively answers. I don't think I ever saw her out of temper; but then I'm not sure if she takes things keenly to heart, and a certain obtuseness of feeling goes a great way towards a character for good temper, I've observed. Altogether I think Cynthia is one in a hundred."
• Mrs. Gibson, who felt that she had somehow lost her place in her husband's favour, took it into her head that she could reinstate herself if she was successful in finding a good match for his daughter Molly. She knew that her husband had forbidden her to try for this end, as distinctly as words could express a meaning; but her own words so seldom expressed her meaning, or if they did, she held to her opinions so loosely, that she had no idea but that it was the same with other people.
• Mr. Coxe's face grew perceptibly paler. His feelings, if evanescent, were evidently strong.
  "I think, sir, if you could have seen her—I don't consider myself vain, and manner is so difficult to describe. At any rate, you can have no objection to my taking my chance, and speaking to her."
• "If I ever suspected Roger of following out his thoughts in a similar way," said Cynthia, "I'd never speak to him again."
  "As if he would!" said Molly, warm in her turn. "You know he never would; and you shouldn't suppose it of him, Cynthia—no, not even for a moment!"
  "I can't see the great harm of it all, for my part," said Mrs. Gibson, plaintively. "A young man strikes us all as looking very ill—and I'm sure I'm sorry for it; but illness very often leads to death. Surely you agree with me there, and what's the harm of saying so? Then Molly asks what will happen if he dies; and I try to answer her question. I don't like talking or thinking of death any more than any one else; but I should think myself wanting in strength of mind if I could not look forward to the consequences of death. I really think we're commanded to do so, somewhere in the Bible or the Prayer-book."
• so I'm not going to let you throw yourself away upon any one whose life isn't clear and above-board, you may depend upon it!"
  This last speech fell like a bomb into the quiet little drawing-room, it was delivered with such vehemence. Miss Browning, in her secret heart, meant it as a warning against the intimacy she believed that Molly had formed with Mr. Preston; but as it happened that Molly had never dreamed of any such intimacy, the girl could not imagine why such severity of speech should be addressed to her. Mrs. Gibson, who always took up the points of every word or action where they touched her own self (and called it sensitiveness), broke the silence that followed Miss Browning's speech by saying, plaintively,—
  "I'm sure, Miss Browning, you are very much mistaken if you think that any mother could take more care of Molly than I do.
• when perhaps she had no plan at all,—only thought of wandering out at her own sweet will, and of taking pleasure in the bright solemn fading of the year. It was a very heavy time for Molly,—zest and life had fled, and left so many of the old delights mere shells of seeming. She thought it was that her youth had fled; at nineteen!
• So I wrote and gave him my promise to marry him when I was twenty, but it was to be a secret till then. And I tried to forget I had ever borrowed money of him, but somehow as soon as I felt pledged to him I began to hate him. I couldn't endure his eagerness of greeting if ever he found me alone;
• "Stop," said Molly. "I won't hear anything out of these letters, written, when she was almost without friends, to you, whom she looked upon as a friend! But I have thought of what I will do next. I give you fair warning. If I had not been foolish, I should have told my father, but Cynthia made me promise that I would not. So I will tell it all, from beginning to end, to Lady Harriet, and ask her to speak to her father. I feel sure that she will do it; and I don't think you will dare to refuse Lord Cumnor." <> He felt at once that he should not dare; that, clever land-agent as he was, and high up in the earl's favour on that account, yet that the conduct of which he had been guilty in regard to the letters, and the threats which he had held out respecting them, were just what no gentleman, no honourable man, no manly man, could put up with in any one about him. He knew that much, and he wondered how she, the girl standing before him, had been clever enough to find it out.
• Without offence to the present company, I am rather inclined to look upon matrimony as a weakness to which some very worthy people are prone; but if they must be married, let them make the best of it, and go through the affair with dignity and propriety: or if there are misdoings and clandestine meetings, and such things, at any rate, never let me hear about them!
• "If I go to Mrs. Dawes, and she repeats them to me, I shall slap her face or box her ears I'm afraid, for I couldn't stand tales being told of poor Mary's daughter, as if they were just a stirring piece of news like James Horrocks' pig with two heads," said Miss Browning,
• "It's all a mystery. I hate to have you mixed up in mysteries."
  "I hate to be mixed up. But what can I do? I know of another mystery which I'm pledged not to speak about. I cannot help myself."
  "Well, all I can say is, never be the heroine of a mystery that you can avoid, if you can't help being an accessory. Then, I suppose, I must yield to your wishes and let this scandal wear itself out without any notice from me?"
• * Lady Cumnor was exactly in that state of convalescence when such talk as her lord's was extremely agreeable to her, but she had contemned the habit of listening to gossip so severely all her life, that she thought it due to consistency to listen first, and enter a supercilious protest afterwards.
• "No, not at all! I was only speaking of the folly of people dressing above their station. I began by telling Clare of the fashions of my grandmother's days, when every class had a sort of costume of its own,—and servants did not ape tradespeople, nor tradespeople professional men, and so on,—and what must the foolish woman do but begin to justify her own dress, as if I had been accusing her, or even thinking about her at all. Such nonsense! Really, Clare, your husband has spoilt you sadly, if you can't listen to any one without thinking they are alluding to you. People may flatter themselves just as much by thinking that their faults are always present to other people's minds, as if they believe that the world is always contemplating their individual charms and virtues." <> "I was told, Lady Cumnor, that this silk was reduced in price. I bought it at Waterloo House after the season was over," said Mrs. Gibson, touching the very handsome gown she wore in deprecation of Lady Cumnor's angry voice, and blundering on to the very source of irritation.
• And so Lady Cumnor really was, in spite of the continual lectures which she gave "Clare," and which poor Mrs. Gibson turned under as helplessly as the typical worm. Still it was something to have a countess to scold her; and that pleasure would endure when the worry was past.
• "You've entangled yourself with him, and you've done something of the sort with Mr. Preston, and got yourself into such an imbroglio" (Mrs. Gibson could not have said "mess" for the world, although the word was present to her mind),
• After a moment's pause, standing by the old man's side, she slipped down to the floor, and sat at his feet. Possibly her presence might have some balm in it; but uttering of words was as a vain thing. He must have been aware of her being there, but he took no apparent notice. There they sate, silent and still, he in his chair, she on the floor; the dead man, beneath the sheet, for a third. She fancied that she must have disturbed the father in his contemplation of the quiet face, now more than half, but not fully, covered up out of sight. Time had never seemed so without measure, silence had never seemed so noiseless as it did to Molly, sitting there.
• But he was always a man for immediate action as soon as he had resolved on the course to be taken; and he knew that "some must watch, while some must sleep; so runs the world away."
• only sometimes I really was so unhappy, I thought I must put an iron band round my heart to keep it from breaking, like the Faithful John of the German story,—do you remember, Molly?—how when his master came to his crown and his fortune and his lady-love, after innumerable trials and disgraces, and was driving away from the church where he'd been married in a coach and six, with Faithful John behind, the happy couple heard three great cracks in succession, and on inquiring, they were the iron-bands round his heart, that Faithful John had worn all during the time of his master's tribulation, to keep it from breaking."
• The Squire, I should guess, is showing more indignation. He is boiling over, that any one should reject his son! The enormity of the sin never seems to have been apparent to him till now, when he sees how Roger is affected by it. Indeed, with the exception of myself, I don't know one reasonable father; eh, Molly?"
• You must reverence your husband, and conform to his opinion in all things. Look up to him as your head, and do nothing without consulting him."—It was as well that Lord Cumnor was not amongst the audience; or he might have compared precept with practice.—"Keep strict accounts; and remember your station in life.
• "Only you know you are to be my first visitor, and if you wear brown ribbons to a green gown, I'll turn you out of the house!" So they parted.
• "The Squire and his daughter-in-law have got to be much better friends over the little fellow's sick-bed; and I think he sees now how impossible it would be for the mother to leave her child, and go and be happy in France, which has been the notion running in his head all this time. To buy her off, in fact. But that one night, when I was very uncertain whether I could bring him through, they took to crying together, and condoling with each other; and it was just like tearing down a curtain that had been between them; they have been rather friends than otherwise ever since.
• Molly tried hard to forget it in working away at a cushion she was preparing as a present to Cynthia; people did worsted-work in those days.
• He, too, knew where the last glimpse of Mr. Gibson's house was to be obtained, and once more he turned, and his white handkerchief floated in the air. Molly waved hers high up, with eager longing that it should be seen. And then, he was gone! and Molly returned to her worsted-work, happy, glowing, sad, content, and thinking to herself how sweet is—friendship!
• "Oh, you dear, facetious man. Now that's just the thing to have captivated a jury. I don't believe Walter will ever be so clever as you are. Yet he can take Cynthia to Paris, and abroad, and everywhere. I only hope all this indulgence won't develope the faults in Cynthia's character. It's a week since we heard from her, and I did write so particularly to ask her for the autumn fashions before I bought my new bonnet. But riches are a great snare."
  "Be thankful you are spared temptation, my dear."
  "No, I'm not. Everybody likes to be tempted. And, after all, it's very easy to resist temptation, if one wishes."

//into one where there is much weakness, many mistakes, sufferings long and bitter, but where it is possible for people to live calm and wholesome lives; and, what is more, you feel that this is at least as real a world as the other. The kindly spirit which thinks no ill looks out of her pages irradiate; and while we read them, we breathe the purer intelligence which prefers to deal with emotions and passions which have a living root in minds within the pale of salvation, and not with those which rot without it. This spirit is more especially declared in Cousin Phillis and Wives and Daughters—their author's latest works; they seem to show that for her the end of life was not descent amongst the clods of the valley, but ascent into the purer air of the heaven-aspiring hills.

//There is no "material" for him in half-a-dozen farming men singing hymns in a field, or a discontented old gentleman smoking tobacco with his son. Still less could he avail himself of the miseries of a little girl sent to be happy in a fine house full of fine people; but it is just in such things as these that true genius appears brightest and most unapproachable. It is the same with the personages in Mrs. Gaskell's works. Cynthia is one of the most difficult characters which have ever been attempted in our time. Perfect art always obscures the difficulties it overcomes; and it is not till we try to follow the processes by which such a character as the Tito of Romola is created, for instance, that we begin to understand what a marvellous piece of work it is.

//But she also belongs to the kind of characters which are conceived only in minds large, clear, harmonious and just, and which can be portrayed fully and without flaw only by hands obedient to the finest motions of the mind. Viewed in this light, Cynthia is a more important piece of work even than Molly, delicately as she is drawn, and true and harmonious as that picture is also. And what we have said of Cynthia may be said with equal truth of Osborne Hamley. The true delineation of a character like that is as fine a test of art as the painting of a foot or a hand, which also seems so easy, and in which perfection is most rare.

//Here are Osborne and Roger, two men who, in every particular that can be seized for description, are totally different creatures. Body and mind they are quite unlike. They have different tastes; they take different ways: they are men of two sorts which, in the society sense, never "know" each other; and yet, never did brotherly blood run more manifest than in the veins of those two. To make that manifest without allowing the effort to peep out for a single moment, would be a triumph of art; but it is a "touch beyond the reach of art" to make their likeness in unlikeness so natural a thing that we no more wonder about it than we wonder at seeing the fruit and the bloom on the same bramble: