[personal profile] fiefoe
"Eerily Composed" / Rebecca Mead
  • Muhly has.. become a proficient student of the language, an avid user of Reykjavík’s municipal geothermal bathing facilities, and a connoisseur of local delicacies such as puffin-meat tidbits wrapped in bacon.
  • “In the Renaissance, everyone was trying to negotiate a relationship with the divine,” he explains. “And there is an inherent emotional content to scientific studies, even though science is supposed to be divorced from that.”
  • Muhly has an associative intelligence that is facilitated by Google and iTunes.
  • “Mozart is so good at pre-Romantic notions of the night,” he says. “We all know Mahler, but with Mozart you get this kind of evening-y thing, with an awareness of light and space.”
  • “There is a specific way the bass works that makes the English go crazy,” he explained. “It’s like catnip for them, so I try to take advantage of it. I love a good nineteenth-century national stereotype. It is really useful in composition.”
  • (Muhly has a gift for acquaintance: “More people have met me than have heard what I do, and I am working to change that,” he says.) Mizrahi recalls, “Nico played Stravinsky’s piano version of ‘Petrushka,’
"Thinking in the Rain" / Susan Orlean
__ There are so many people with ideas about umbrellas that the Patent Office has four full-time examiners assessing their claims.
__ His mother, Myrna, a sculptor who works primarily in the medium of dried fish,

"The Birthday Party" / James B. Stewart
__ "Now that he's reached a new level of liquidity, we hope that he'll become a world-class philanthropist."
__ In 1984, just nine months after Peterson's departure, Lehman was sold for $360 million. To many, it was Schwarzman's most brilliant deal yet: he had enriched himself and his mentor while turning the tables on Glucksman and freeing himself to join Peterson in launching a new partnership.

Mark Singer: Coney's singular poem is the boardwalk, two and half elegiac herring-boned miles.

Mary J Blige: 'Grown Woman'

"European Tour" / Peter Schjeldahl
__ Observe, in the new hanging, how the later, similarly aggressive—though dashingly urbane—majesty of Manet seems to draft, like a race car, in Courbet’s slipstream. As for Monet, the concentrated array of his paintings, in context, revivifies his genius, on a level of purely visual intelligence—and of breathtaking indifference to anything else—where he stands alone in the universe.

<<
This account has disabled anonymous posting.
If you don't have an account you can create one now.
HTML doesn't work in the subject.
More info about formatting

Profile

fiefoe

February 2026

S M T W T F S
1 2 3 4 567
8 9 10 11121314
15 16 1718192021
2223 2425262728

Style Credit

Expand Cut Tags

No cut tags
Page generated Feb. 17th, 2026 08:01 pm
Powered by Dreamwidth Studios