May. 30th, 2017

It's always thrilling to read about boy geniuses - sadly and unjustly girl geniuses don't appear in novels as much.
  • Brain left school at six while body did time: Well that wasn’t very nice now was it? L: If someone’s about to eat you you don't have to be nice.
  • Excellent idea as Greek so helpful for reading New Testament, camel through eye of needle for example mistranslation of very similar word for rope:
  • L is up to the pentekaipentekontapus under the admiring & indulgent eyes of people who get on and are able to get off again after a few stops.
  • so may salve conscience by just touching on highlights like Sound of Music cutting from Doe A Deer to seven-part harmony or heptaphony as some people (naming no names) would probably call it.
  • I said politely but firmly I think if you see the film again you will find that the samurai are not, in fact, an elite band. Lesser directors have of course succumbed to the glamour of the eliteness of a band, with predictable results; not Kurosawa. She said there was no need to take that tone
  • & I said politely Essentially the film is about the importance of rational thought. We should draw our conclusions from the evidence available rather than from hearsay and try not to be influenced by our preconceptions. We should strive to see what we can see for ourselves rather than what we would like to see.
  • smiling pleasantly through 273 verses (10 + 0 + –262) of the green bottles song. Could I be sure that he would not start up again at –263 or rather would anyone familiar with the child offer even straight odds that he would not? No.
  • there’s a stomach-turning swerve into another key and you’re in the middle of Over the Rainbow, swerve, Climb Every Mountain, swerve, Ain’t No Mountain High Enough, swerve, swerve, swerve. Well then, you have only to imagine Liberace, hands, mouth, penis now here, now there, no sooner here than there, no sooner there than here again, starting something only to stop and start something else instead, and you will have a pretty accurate picture of the Drunken Medley.
  • how cruel that we must wake each time to answer to the same name, revive the same memories, take up the same habits and stupidities that we shouldered the day before and lay down to sleep.
  • All I would have to do was write down a short passage of Greek, as if for this interested sceptic, with translation transliteration vocabulary and grammatical comments—taking pains, of course, to write the latter as if for the type of person who can’t get enough of things like the middle voice, dual number, aorist and tmesis. I am usually not very good at dealing with social dilemmas, but this seemed a stroke of genius. It would take about an hour (comparing favourably with the five-hour unwritable note)
  • By the looks of things I have about three days’ grace before I start teaching Japanese to a child with no sense of proportion whatsoever.
  • And DON’T YOU DARE colour in ANY OTHER BOOK without ASKING ME FIRST. That was all I said, & it was too much. A chittering Alien bursts from the breast to devour your child before your eyes. He looked down at the page
  • Drums over Africa was written by an Australian named Peter McPherson
  • Once you saw that you saw that you could potentially have dozens of fragments that could not be part of the finished work, and what you saw was that it was perceiving these fragments as fragments that made it possible to have a real conception of what wholeness might be in a work
  • It was as if after the illusion that you could have a thing 500 ways without giving up one he said No, there is only one chance at life once gone it is gone for good you must seize the moment before it goes, tears were streaming down my face as I heard these three pieces each with just one chance of being heard if there was a mistake then the piece was played just once with a mistake if there was some other way to play the piece you heard what you heard and it was time to go home.
  • I said Well do you want me to show you some kanji? He said I think I can probably do it myself. I knew what this meant, it meant for all my good intentions I had been a monster.
L takes over:
  • I said so are you picking four, and Sibylla said yes because she could not wait four days for the term jinsai which was obviously an indispensable euphemism for small child.
  • I have read Kon Tiki, Into the Heart of Borneo, Arabian Sands, Journey into Danger!, Quest for Adventure!, The Snow Leopard, In Patagonia, Amazon Nights, To Caucasus, Tents on the Steppe, Igloo Winter, With Camel and Compass, Among Pygmies and After Alexander.
  • Sibylla put the magazine on the floor. She said, You will not be ready to know your father until you can see what’s wrong with these things... I said, It’s not fair, nobody else has to wait until they’re old enough to know who their father is. She said, We should not elevate the fortuitous to the desirable.
  • I said, ‘Let’s take two people about to undergo 10 years of horrible excruciating boredom at school, A dies at the age of 6 from falling out a window and B dies at the age of 6 + n where n is a number less than 10, I think we would all agree that B’s life was not improved by the additional n years.
  • The hero is a man actively engaged in becoming himself—never a very reassuring sight. The villain, on the other hand, has already become something.
  • I said: According to one reviewer this writer I am supposed to regard from a state of grace beyond pity
  • I said: Well just tell me this. He didn’t rape you did he? (Everything I know about delicacy I learned at my mother’s knee.)
  • There is a strange taboo in our society against ending something merely because it is not pleasant—life, love, a conversation, you name it, the etiquette is that you must begin in ignorance & persevere in the face of knowledge,
  • thought you thought disenfranchisement on grounds of age the hallmark of a BARBARIC SOCIETY. I thought of saying, How do you know something I don’t know is something I don’t want to know?
  • the problem is that they are classicistic rather than classic, pursuing both truth and beauty not for themselves but because manifested in these forms in the great works of the past. It would be harder, of course, to seem as though I saw these faults from a state of grace, but maybe she would overlook that.
  • You can tell just from the names of the mathematicians. Bernoulli’s equation—Euler’s equation—Gauss’s divergence theorem—I have no idea what these actually ARE, but essentially the mathematics at the heart of the subject seems to be post-Newtonian developments in calculus, 18th 19th century stuff. How hard can it be?
  • could try the hunchbacked midget costume I had to wear when we went to see The Crying Game—but I thought I might have trouble getting into a bar even as a midget sensitive about his height.



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